Biography
Grammy-Award
winning Richard Danielpour "is an outstanding composer for any
time, one who knows how to communicate deep, important emotions
through simple, direct means that nevertheless do not compromise"
(The New York Daily News). A distinctive American voice, his
music is of large and romantic gestures, brilliantly orchestrated,
deeply emotional, and rhythmically vibrant. His work has attracted
an illustrious array of champions, and, as a devoted mentor
and educator, he has also had a significant impact on a younger
generation of composers.
Much
in demand across the globe, Mr. Danielpour has received such
prestigious honors as a Lifetime Achievement Award and the Charles
Ives Fellowship from the American Academy of Arts & Letters,
a Guggenheim Award, two Rockefeller Foundation grants, Bearns
Prize from Columbia University, and grants and residencies from
the Barlow Foundation, MacDowell Colony, Yaddo, Copland House,
and the American Academy in Rome. In Fall 2002, he became one
of the first recipients of a coveted Alberto Vilar Fellowship
and Residency at the American Academy in Berlin.
Mr.
Danielpour's work has been performed throughout the world, and
his commissions read like a Who's Who of the world's leading
musical institutions and artists. He has written for the New
York Philharmonic, Philadelphia Orchestra, Orchestre National
de France, Stuttgart Radio Orchestra, Chamber Music Society
of Lincoln Center, Santa Fe Chamber Music Festival, American
Composers Orchestra, and San Francisco, Pittsburgh, Pacific,
National, and Baltimore Symphonies, among many others. His music
has also been championed by Yo-Yo Ma, Jessye Norman, Dawn Upshaw,
Emanuel Ax, Frederica von Stade, Thomas Hampson, Gary Graffman,
Christopher O'Riley, the Kalichstein-Laredo-Robinson Trio, the
Guarneri, Emerson, Muir, and American String Quartets, and conductors
David Zinman, Charles Dutoit, Kurt Masur, Zdenek Macal, Leonard
Bernstein, Carl St. Clair, and Leonard Slatkin. Mr. Danielpour
has also composed two major scores for the New York City and
Pacific Northwest Ballets.
Mr.
Danielpour is one of the most recorded composers of his generation,
and became only the third composer --after Stravinsky and Copland--
to be signed to an exclusive recording contract by Sony Classical.
Since then, Sony has released several Danielpour recordings,
including the Grammy Award-winning Cello Concerto, recorded
by Yo-Yo Ma and Philadelphia Orchestra conducted by David Zinman,
and the Grammy-nominated Concerto for Orchestra (coupled with
Anima Mundi), recorded by Zinman and the Pittsburgh Symphony.
Recent recordings include An American Requiem for chorus
and orchestra on Reference Recordings, and A Child's Reliquary
with the Kalichstein-Laredo-Robinson Trio and In The Arms
Of The Beloved, written for and recorded by Jamie Laredo
and Sharon Robinson, with the Iris Chamber Orchestra and Michael
Stern conducting on Arabesque Recordings. Other recordings include
Celestial Night, with the London Philharmonia conducted
by Zdenek Macal, coupled with Towards the Splendid City
and Urban Dances for orchestra; First Light, The
Awakened Heart, and Symphony No. 3 on Delos; a chamber music
disc on Koch and his Piano Sonata on New World; and Metamorphosis
(Piano Concerto No. 1) with pianist Michael Boriskin and
the Utah Symphony conducted by Joseph Silverstein.
Mr.
Danielpour is an active educator and believes deeply in the
nurturing of young musicians. Beyond serving on the faculties
of both the Curtis
Institute of Music and the Manhattan
School of Music, he also spends a great deal of time giving
master classes throughout the country, and coaching and mentoring
young musicians. He was in residency at the Acadamie Musicale
de Villcroze, and served as Master Artist for the Atlantic Center
for the Arts' first International Residency Program in Italy,
and co-director of the New Jersey Symphony Orchestra's Composition
and Conducting Institute. He has also recently completed a three-year
stint as Composer-in-Residence with the Pacific Symphony in
southern California. In connection with other positions, he
has coached not only composers but young performers in residencies
at the Seattle Symphony, Santa Fe Chamber Music Festival, Marlboro
Music Festival, and Saratoga Chamber Music Festival.
Mr.
Danielpour's schedule includes numerous commissions extending
well into this decade, and he is working on his first opera,
Margaret Garner, with the Nobel Laureate Toni Morrison,
and new compositions for the Singapore Symphony and the Guarneri
Quartet. Recent premieres and performances include Celestial
Night with the WDR Sinfonie Orchester in Cologne; Through
the Ancient Valley with Yo-Yo Ma and the Orchestre National
de Lyon; Apparitions, an orchestra version for the New
Jersey Symphony of his String Quartet No. 4; a double concerto
for violinist Jaime Laredo and cellist Sharon Robinson, In
the Arms of the Beloved, with the Iris Chamber Orchestra;
the Piano Concerto No. 3 (Zodiac Variations) for Gary
Graffman and the National Symphony conducted by Leonard Slatkin;
and An American Requiem with the Pacific Symphony. In
2002 he was commissioned by the Indianapolis Violin Competition
for a piece (As Night Falls on Barjeantane) to be performed
by every semi-finalist.
Born
in New York City on January 28, 1956, Mr. Danielpour studied
at the New England Conservatory and The Juilliard School with
Vincent Persichetti and Peter Mennin. He also trained as a pianist
with Lorin Hollander, Veronica Jochum, and Gabriel Chodos. Richard
Danielpour's music has been published exclusively by Associated
Music Publishers since 1988.